That’s why it seems to me very easy now, is because it seems like usually you try to get all these skills together, people together, performers or music or whatever, and then you try to make them into a world – but – the way that this is gone, it’s like you have the world, and then you just populate it, and then you just show people what’s going on with those people in that world. Nothing this neat and fantastical could be that formulaic – at what point in your life did you really start devoting so much of your energy toward the creation of this? Because it’s not just music or just aesthetics, this is an entire package – Oh I SO wish I would have, that would have saved me SO much time (laughs) ![]() So you can’t have just decided in a think tank to put together all this stuff ‘cause it would look great on a merch table – Emilie Autumn was kind enough to cozy up (under a spectacular fan-made quilt!) with us on her North American tour. Emilie Autumn, known for her virtuoso skills in the “Violindustrial” department and guest appearances on a plethora of recordings from Courtney Love to Metalocalypse and beyond, has just released a deluxe version of her already cult hit, Opheliac, in a deluxe edition and is publishing the Asylum book imminently.
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